Which movement's second group was more international and pursued spiritual, expressionistic, and abstract approaches?

Which movement's second group was more international and pursued spiritual, expressionistic, and abstract approaches?

• A. Der Blaue Reiter
• B. Die Brücke
• C. Futurism
• D. Dada

Answer: (A)

The movement’s second group signaled a shift toward an international flavor and a focus on spiritual, expressionistic, and abstract directions. Der Blaue Reiter, formed in Munich, expanded beyond its initial circle to include artists from various countries and backgrounds, pushing art toward inner spiritual meaning, symbolic imagery, and nonobjective forms. This emphasis on transcendence and abstraction set its later phase apart from more localized German expressionism, aligning with the international connections and nonfigurative approaches you’re asked to recognize. In contrast, Die Brücke stayed more rooted in German expressionism with a harsher, more direct social and figurative focus, Futurism revolved around speed and modern technology, and Dada pursued anti-art tactics—so they don’t fit the description as well.

The movement’s second group signaled a shift toward an international flavor and a focus on spiritual, expressionistic, and abstract directions. Der Blaue Reiter, formed in Munich, expanded beyond its initial circle to include artists from various countries and backgrounds, pushing art toward inner spiritual meaning, symbolic imagery, and nonobjective forms. This emphasis on transcendence and abstraction set its later phase apart from more localized German expressionism, aligning with the international connections and nonfigurative approaches you’re asked to recognize. In contrast, Die Brücke stayed more rooted in German expressionism with a harsher, more direct social and figurative focus, Futurism revolved around speed and modern technology, and Dada pursued anti-art tactics—so they don’t fit the description as well.