Monet's color approach is described as using which technique?

Monet's color approach is described as using which technique?

• A. Sunny hues dabbed side by side
• B. Dark, muddy palette
• C. Pure monochrome grayscale
• D. Heavy use of black outlines

Answer: (A)

Monet’s color approach relies on optical color mixing, where small, pure sunlit colors are placed next to each other so the viewer’s eye blends them into a luminous surface. By applying bright hues in distinct dabs or strokes side by side, he avoids muddying tones and can convey the fleeting effects of light and atmosphere. This method is a hallmark of Impressionism, emphasizing visible brushwork and color used to express mood and light rather than precise, tight rendering. The description of sunny hues dabbed side by side directly captures this practice—the use of bright, adjacent colors to create brightness through optical mixing. The other options describe techniques that don’t fit Monet’s approach: a dark, muddy palette dulls the scene; pure monochrome grayscale removes color entirely; heavy black outlines would define forms in a way Monet generally avoided.

Monet’s color approach relies on optical color mixing, where small, pure sunlit colors are placed next to each other so the viewer’s eye blends them into a luminous surface. By applying bright hues in distinct dabs or strokes side by side, he avoids muddying tones and can convey the fleeting effects of light and atmosphere. This method is a hallmark of Impressionism, emphasizing visible brushwork and color used to express mood and light rather than precise, tight rendering. The description of sunny hues dabbed side by side directly captures this practice—the use of bright, adjacent colors to create brightness through optical mixing. The other options describe techniques that don’t fit Monet’s approach: a dark, muddy palette dulls the scene; pure monochrome grayscale removes color entirely; heavy black outlines would define forms in a way Monet generally avoided.